Gold mode represents the standard flat tape sound. In fact, there’s a lot going on in a real tape machine’s record/reproduce electronics and fixed equalization curves that form what we think of as “tape sound.” That’s why Crane Song included the frequency-enhancing character of real tape machines in Phoenix II’s brightness controls. Three levels of tape glow provide added colorationReal tape sound includes more than just the nonlinear compression of electromagnetic tape. Level-dependent processing lets your hit this plug-in like real analog tapeSpeaking of level-dependent processing, the dynamic response of Phoenix II is one of the things that truly sets it apart from other tape-emulation plug-ins, many of which rely solely on odd-order harmonics to achieve their “tape sound.” Crane Song actually gave Phoenix II both input and output trim controls, making it easier than ever to drive its tape saturation and get the coloration you want, without running the risk of clipping your tracks. Last but not least is Phoenix II’s Luster mode, which runs the gambit from mild to aggressive, depending on how hard you hit it. If you want to punch up vocals, then flip Phoenix II over to Dark Essence to get seriously aggressive compression with a wide frequency range. Iridescent mode fattens up the bottom end and midrange a bit, whereas Radient mode lays on more aggressive compression (both are great for drums). If you’re in the mood for a strictly neutral tape style compression, Luminescent mode is the perfect place to start.
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